The studio works with the trade directly, one project at a time.
Hospitality groups, interior designers, art consultants, architects, and curators. The studio does not operate a large trade programme with tiered pricing or gated portals. At this stage, every project is discussed directly with the artist, quoted individually, and produced to the standards below.
I.
Edition Policy.
Every image is offered as a limited edition, with a fixed number of prints per size, signed and numbered by the artist. Editions do not expand once opened. When an edition sells out, it closes permanently — the image is not re-released at a different size or on a different substrate to extend the run.
For flagship properties, individual images may be reserved on a property-exclusive, brand-exclusive, or regional-exclusive basis by written agreement.
II.
Archival Production @ Provenance.
Every fine art print produced by the studio is made to museum preservation standards and accompanied by a documented chain of provenance. When a work is later catalogued, appraised, insured, or resold, the paperwork is already in place.
Numbered to match the edition sequence, hand-signed by the artist, printed on archival stock, delivered with every fine art print.
01
Signed physical Certificate of Authenticity.
Cryptographic digital provenance embedded into every high-resolution file — verifying image authenticity, artist creation, and an unaltered chain of custody. Resistant to AI forgery.
02
Embedded Content Credentials (C2PA).
Printed on certified cotton-rag substrates with pigment inks rated to 100+ years of colour stability under museum lighting conditions.
03
Museum-grade archival production.
Every edition print is logged in the studio's private registry with its serial number, buyer of record, and installation location. Ownership transfers are re-registered on request.
04
Studio-managed provenance registry.
Public web images carry a subtle repeating watermark and are capped at web resolution. Full-resolution previews are only released to verified trade contacts under a written non-redistribution agreement.
05
Signed physical Certificate of Authenticity.
Logistics and finish.
III.
Prints are produced on demand to museum archival standards and shipped direct to project site, gallery, receiver, or storage facility.
Fulfilment
Digital file verification and colour-space checking are completed prior to production. Physical substrate sample kits available on request for interior specification.
Printing
Native editions scale to 90 inches on the longest edge. Larger architectural dimensions available by custom quote and routed through specialist laboratory freight.
Sizing
Transit is fully insured and managed by the studio. Any damage in courier shipping is replaced at no cost to the project budget.
Damage & Transit
IV.
Sourcing from the archive.
The public catalogue is significantly smaller than the studio archive. If a project calls for an aesthetic, subject, geography, or orientation not currently displayed on the site, submit a project brief and the studio will return a curated short-list matched to your specification within two business days.
Bespoke commissions — where the studio undertakes an original season of work for a defined property or collection — are quoted separately and structured through written contract with clear exclusivity terms.
Every Enquiry is Tailored To Your Needs.
Every commission, every installation specification, every trade conversation goes through the artist directly. This is not scalable, and it will not always be the case — but it is how the studio is being built. Early trade partners are working with the artist himself, one project at a time.